富澤えいちの執筆担当記事の紹介です。
A disc review of Bill Evans’ “Inner Spirit – The 1979 Concert at the Teatro General San Martin, Buenos Aires” is in the May 2022 issue of jazzLife!
This is an introduction to an article written by music writer Eichi Tomizawa.
Live in 1979 at the peak of his career in his last year, sensitized by 2 heavyweight LPs
This is a live recording of a concert in Buenos Aires, Argentina, one year before the death of Bill Evans, one of the foremost exponents of modern jazz pianism. The so-called “Last Trio,” consisting of Mark Johnson (b) and Joe LaBarbera (ds), has already produced a number of masterpieces, but this album is no less impressive than any of them. First of all, the sound quality is excellent, having been remastered from the original reel-to-reel broadcast tapes. The volume of 13 tracks on the LP, which gives a complete picture of the concert, is just as good as the best of the best. The live recording is also a great example of the quality of the live recording, with its rich solo parts and interplay between the band members. The monaural recording is also an advantage, as it allows the listener to appreciate the concert without being aware of localization, and it reproduces a fat and powerful sound that speaks of the Bill Evans Trio, which is why it is being released on 180kg heavyweight vinyl. Bill Evans in 1979 was not in a position to produce great performances due to his poor health and the death of his brother, but as long as you close your eyes and listen to this recording, all you can hear is an artist at his best, concentrating only on translating the overflowing melodies onto the keyboards. I can feel such passion that I can only imagine the artist at his best, concentrating only on translating the overflowing melody to the keyboard. I would like to savor the discovery of this masterpiece with all my heart.
Translated with www.DeepL.com/Translator (free version)
比尔-埃文斯的《内在精神–1979年在布宜诺斯艾利斯圣马丁总剧院的音乐会》的碟评刊登在2022年5月的《爵士生活》杂志上！
音乐作家富泽荣一所写文章的简介。
1979年的现场演出，这是他最后几年的高峰，有两张厚重的黑胶唱片
这是现代爵士乐钢琴家之一比尔-埃文斯去世前一年在阿根廷布宜诺斯艾利斯举行的音乐会的现场录音。 由马克-约翰逊（b）和乔-拉巴贝拉（ds）组成的所谓 “最后的三重奏 “已经留下了许多杰作，但这张专辑并不亚于其中任何一张。 首先，音质非常好，是由原来的广播卷到卷的磁带重新制作的。 这张唱片中的13首曲目，对音乐会进行了完整的概述，与最好的作品一样。 现场录音有丰富的独奏部分和乐队成员之间的相互作用。 单声道录音的好处还在于，听众可以在不知不觉中欣赏到它，同时也再现了比尔-埃文斯三重奏的肥厚而有力的声音，这也是它以180公斤重的黑胶发行的原因。 比尔-埃文斯由于健康状况不佳和他哥哥的去世，没有条件产生伟大的表演，但只要你闭上眼睛听这张唱片，你就能听到一位艺术家在他最好的状态下，只专注于将溢出的旋律翻译到键盘上。 这种激情是如此之大，以至于你只能想象艺术家在他的最佳状态下，只专注于将溢出的旋律转化为键盘。 我想全心全意地享受发现这一杰作的过程。 ＜富泽荣一＞
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